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Immerse yourself in a new type of entertainment experience with the Epson SilverFlex Ultra 100" Ambient Light Rejecting Mega Screen. Ideal for use with Epson EpiqVision™ Ultra short-throw laser projectors, the SilverFlex Ambient Light Rejecting Screen is 

SilverFlex® Ultra 100" Ambient Light Rejecting Mega Screen

Ambient light rejection — can absorb up to 90% of the ambient light, protecting the picture from being washed out, while enhancing the brightness produced by the projector

Ultra high-definition 100" Mega Screen — larger-than-life screen engineered for the most demanding high-resolution content, including 4K and beyond

Ultra wide viewing angle — up to 180 degrees – significantly more than that of a standard flat panel TV – enables content to be seen from almost anywhere in the room

No glare — screen material does not reflect your environment

Packaged for easy handling — comes rolled and packed in a box that can be easily transported

Thin bezel — for a fixed, sleek, modern design that will impress your friends

Easy assembly — lightweight aluminum frame for easy shipping, handling and installation

No wires — it requires no power and no signal cable, so no need to run anything through the wall or use cable covers

Dark silver screen material — enhances the contrast and black level performance while adding an elegant look and feel to surrounding décor

Epson quality and reliability — designed for optimum performance with Epson EpiqVision Ultra short-throw laser projectors

Epson America, Inc. is a SmartWaySM Transport Partner

Immersive entertainment from nearly anywhere

screen size is 4x larger than an 60" flat panel, letting you zoom in on your favorite content

Serrated design rejects ambient light from above while optimizing light from the UST projector below

Viewing angle up to 180 degree enables content to be seen from nearly anywhere

Screen material does not reflect your environment

With a spring tensioning system, there's no need sweat stretching the screen

Instant Rebate through Aug 19

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Instant Rebate through Sep 23

Immerse yourself in a new type of entertainment experience with the Epson SilverFlex Ultra 100" Ambient Light Rejecting Mega Screen. Ideal for use with Epson EpiqVision™ Ultra short-throw laser projectors, the SilverFlex Ambient Light Rejecting Screen is engineered to display larger-than-life ultra high-definition images up to 100" and can absorb up to 90% of the ambient light to produce an astonishingly bright, crisp picture for TV shows, gaming, sporting events, movies and more. Designed by Epson to look beautiful in any environment, this screen offers ultra wide viewing angles up to 180 degrees and features a fixed, sleek, thin bezel build that will astonish viewers even when the screen is not in use.

Immerse yourself in a new type of entertainment experience with the Epson SilverFlex Ultra 120" Ambient Light Rejecting Super Mega Screen. Ideal for use with Epson EpiqVision™ Ultra short-throw laser projectors, the SilverFlex Ambient Light Rejecting Scre

SilverFlex® Ultra 120" Ambient Light Rejecting Mega Screen

Ultra high-definition 120" Super Mega Screen — larger-than-life screen engineered for the most demanding high-resolution content, including 4K and beyond

Immerse yourself in a new type of entertainment experience with the Epson SilverFlex Ultra 120" Ambient Light Rejecting Super Mega Screen. Ideal for use with Epson EpiqVision™ Ultra short-throw laser projectors, the SilverFlex Ambient Light Rejecting Screen is engineered to display larger-than-life ultra high-definition images up to 120" and can absorb up to 90% of the ambient light to produce an astonishingly bright, crisp picture for TV shows, gaming, sporting events, movies and more. Designed by Epson to look beautiful in any environment, this screen offers ultra wide viewing angles up to 180 degrees and features a fixed, sleek, thin bezel build that will astonish viewers even when the screen is not in use.

A powerful combination of two, high performance projection screens in one screen system.

Stewart Filmscreen Daily Dual Screen System

Originally designed for use in post-production, the Daily Dual offers two different screens in one screen system. This unique configuration consists of an electric roll down screen positioned in front of a fixed frame screen. A typical application would be use of a polarization preserving Silver 3D or Silver 5D fabric in the fixed frame, first position and a SnoMatte surface in the roll down, second position. Digital intermediate teams can quickly change back and forth from 2D to 3D workflow in seconds. Stewart also makes a version of the Daily Dual with four, independent channels of masking for fully matted, pixel for pixel perfection. This screen is worth every penny.

Post-production houses that have substantial 3D workflow, but also have to shift gears and do post-production work for Blu-Ray, streaming, and broadcast formatted releases, delight in the Daily Dual's thirty second screen change utility.

Two screen surfaces ready at the press of a button

Our post-production customers asked us to create this screen system. Before development of the Daily Dual, long delays were experienced waiting for tech personnel to change out screen fabrics when transitioning between 3D and 2D workflow. The Daily Dual solves this by having two 16K+ screen surfaces available at all times.

The Daily Dual can be integrated into either two-way or four-way masking functionality. Typical post-production D.I. workflow thrives with the assistance of two-way masking, showing Scope as an attenuated set of horizontal lines which are inside the Academy Flat native ratio of 1.85:1. To meet this requirement, a set of horizontal, digitally controlled masking panels are integrated into the Daily Dual screen system. Stewart also offers the Daily Dual Director's Choice — a dual screen system with pixel for pixel masking utility via four-way, digitally controlled masking panels.

Max. Image Height

Max. Image Width

Max. Image Diagonal

Max. Overall Height

Max. Overall Width

Overall Depth

Min. Floor to Image

Mounting Options

Perforation Options

Control Systems

Max. Presets

Motors

Thoughtfully and thoroughly engineered, CineCurve is a curved frame system with optional independent, digitally controlled masking panels which matte the vertical edges of the screen accurately and with continuous variability.

Stewart Filmscreen CineCurve Fixed Frame Screen System

Experience true, 16K+ immersion with these award winning, curved screens

Thoughtfully and thoroughly engineered, CineCurve is a curved frame system with optional independent, digitally controlled masking panels which matte the vertical edges of the screen accurately and with continuous variability. Additionally, we offer a wide range of acoustically transparent, masking fabrics. Each fabric is balanced for optimal sonic and visual performance. CineCurve furnishes cinematic envelopment reminiscent of the curved Scope screens developed for widescreen formats using anamorphic lenses. We are happy to specify and optimize the radius of the screen for today's anamorphic projection lenses, or furnish a radius based on your seating and aesthetics. Truly wow-worthy.

Today’s content is presented in many different aspect ratios — standard TV format, widescreen, CinemaScope, and HDTV. A masking system easily converts your screen from one aspect ratio to another. An image, like a painting, looks better when it is framed. Your eye perceives an image with a black border as sharper than an image without a border. Why? The deep black increases the dynamic range your eye can discern. With a Stewart continuous masking system, you will always get the sharpest possible image, no matter what the aspect ratio is.

A home cinema tour de force, designed for impact and immersion

CineCurve exemplifies fit, finish and accuracy in every detail. The system arrives pre-engineered, pre-rigged, fully tested, and easy to assemble, as well as easy to program. Our engineering team has developed exacting formulas to optimize the curve of the frame. With Stewart you know that the build quality and precision of these screen systems is second to none.

Independent, vertical masking panels allow you to have two, perfectly matted image areas, designed for home cinema's most predominant aspect ratios: 2.35 for movies and 1.78 HD for sports and television viewing. Cine-V delivers flawlessly with constant vertical height and adds the extra sizzle of a beautifully curved presentation. Enjoy Scope content larger and more cinematic. Cine-V is what you need. Nothing more, nothing less.

Choose Cine-W for single aspect ratio only

This single aspect ratio CinemaScope screen is perfect for the enthusiast who knows what they want, Scope. Cine-W allows you to watch many of today’s latest movies the way they were made to be seen — with amazing, true color accuracy and with center to edge uniformity. These beautifully finished and bracketed systems are available in sizes up to 16 feet wide. Truly stunning in application.

Control system features can include independent motors for each masking panel, as well as a surplus of format storage presets, allowing you to achieve the perfect curve, perfect masking and perfect control.

Max. Frame Height

Max. Frame Width

Max. Frame Depth

The ultimate marriage of the world’s finest screen material and the most precise masking system.

Stewart Filmscreen Director's Choice Continuously Variable Masking Screen System

Director's Choice is the pinnacle statement for cinema presentation. Four, individually motorized masking panels move flawlessly across the screen as directed by the supplied digital system controller, or via interface with a third party control system of your choice. Any aspect ratio can be stored at any scale via independently joggable masking fabrics. You can specify any aspect ratio as the native "all open" image area, to exactly pair the screen to your choice of projector. Any Stewart front projection 16K+ screen fabric can be selected, as well as MicroPerf X² THX Ultra for sound transparency. The fascia is finished in a luxurious black Velux covering, and all masking fabric options have been carefully sourced to complete this stunning machine.

There’s a reason why this screen is such a big seller

Beautifully built from start to finish and hands down, the best masking system that money can buy. This precision screen is perfect in every way.

Pixel for pixel perfection in any aspect ratio

The Director's Choice screen allows you to present content at the scale that looks best. The masking will follow your intention perfectly. If you have a classic film in Scope that looks grainy when displayed in full width, you can bring it down and matte it at a size that works well visually. Critical decisions in content are always made in pixel for pixel resolution. Director's Choice guarantees that your screen is properly formatted no matter what.

Creating durable assets for the life of the building

The Director's Choice is made of the finest materials available and built to the highest standards of quality. From our acoustically transparent masking panels and the aircraft grade aluminum we use in the framing, to our meticulous attachment of our 16K+ screen materials to the frame, no other screen company builds to the exacting quality of Stewart.

Reference quality 16K+ screen materials live here

Why not show a film on the exact same surface that was used when the studio edited the film? Director's Choice gives you that exact option. SnoMatte 100, often combined with MicroPerf X² THX Ultra, are ubiquitous reference surfaces present in a majority of the post-production studio suites worldwide. Why? Because our fabric shows the picture with extreme fidelity, including center to edge uniformity and amazing color accuracy.

Our Continuous Variable Masking (CVM) control system lets you program and preset aspect ratios with ease. The control system will integrate into most home automation systems easily and reliably.

The ultimate in home cinema — major movie studios, directors, producers and actors all love their Director's Choice screens. Dare we say that some even have two.

Frame Depth

The statement product for super large flat screen with constant height, multi-aspect viewing experiences. VistaScope presents a native 2.40:1 aspect ratio and will matte any smaller aspect ratio exactly, via independent, digitally controlled, memory equip

Stewart Filmscreen VistaScope Vertical Masking Screen System

Made with the finest materials available and all hand-crafted by meticulous artisans, this projection screen system will make your home cinema a place of enjoyment for years to come.

Choose constant image height from 2.40:1 to 1.33:1 aspect ratio

All of our CinemaScope formats feature the largest image areas available and are present in cinematic scale. Each additional format is achieved by reducing screen width. With VistaScope you can enjoy daily news and sports, as well as the latest movie releases — each presented in their ideal, perfect format.

Use the exact same fabric the director used to make the film

Can be specified with any of Stewart's 16K+ imaging surfaces along with MicroPerf X² as a frequent complement to further enhance the cinematic experience. Easy to size for images up to 12 feet in width. Want something even bigger? Check out VistaScope 300 for images up to 18 feet.

Variable Aspect Ratio - Constant Height/Variable Width

Aluminum extrusion frame finished with VeLux™

Snap fastening securely attaches screen to frame

Choose from a variety of Stewart’s front projection screen materials

Complements projectors with anamorphic lenses

BRIC - The Binary Reciprocal intelligent Control System (more information below)

The statement product for super large flat screen with constant height, multi-aspect viewing experiences. VistaScope presents a native 2.40:1 aspect ratio and will matte any smaller aspect ratio exactly, via independent, digitally controlled, memory equipped masking elements. All masking panels feature crisp, leading edges and are made with specially chosen, super black and super acoustically transparent fabrics.

Fixed Projector Screens

SilverFlex® Ultra 100" Ambient Light Rejecting Mega Screen

$2,000.00

SilverFlex® Ultra 120" Ambient Light Rejecting Mega Screen

$3,000.00

Stewart Filmscreen CineCurve Fixed Frame Screen System

Stewart Filmscreen Daily Dual Screen System

Stewart Filmscreen Director's Choice Continuously Variable Masking Screen System

Stewart Filmscreen VistaScope Vertical Masking Screen System

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